The performing practice of preluding: Johann Nepomuk Hummel's twenty-four Preludes for piano, Op. 67

Abstract

Preluding before the actual written compositions was a popular practice in the eighteenth century. This project surveys the historical context of preluding on the piano, including discussions on what was the style of improvisation between the eighteenth and nineteenth century, important composers of published preludes, and how Hummel's Preludes in All Twenty-four Major and Minor Keys, Op. 67 became a significant influence in the keyboard history. The author will also discuss which composition will be appropriate for preluding using Hummel's Preludes, Ope 67. In addition, the use of preluding to reduce performance anxiety is explored.