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NEW YORK CITY AND LOS ANGELES: "Why are we scared to let children be scared?" asked playwright/ theatre maker Finegan Kruckemeyer in a ground- breaking 2010 essay tided "The Taboo of Sadness." The Australian playwright was in New York City in January to develop his notion of what children can handle in a work of theatre with his new play, The Boy at the Edge of Everything. Commissioned by the New York-based theatre troupe Trusty Sidekick Theater Company, the play had several workshops in 2012. In mid-January, the New Victory Theater hosted the...