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Tina Chanter. Whose Antigone? The Tragic Marginalization of Slavery. Albany: State University of New York Press, 2011. xli + 233 pp. Cloth, $90; paper, $29.95.
Tina Chanter's book sets out to re-read Sophocles' Antigone in light of two modern reworkings of the play from sub-Saharan Africa-Athol Fugard's The Island (1974), which is based on an actual all-male performance of Antigone by prisoners on Robben Island (where Nelson Mandela was incarcerated), and Fémi Òsófisan's Tègònni: An African Antigone (1999), a version highlighting racial tensions that is set in British-colonial Nigeria. But Chanter's book is about much more than that, as she spends a good deal of time critiquing, on the one hand, the interpretive tradition of Western psychoanalysis, which sees gender and kinship relations as the defining themes of the Oedipus cycle, while decrying, on the other, Hegelian readings that view Antigone as an aesthetically pure, ethical heroine caught between obligations to family and state. The thesis of the book is perhaps best captured in Chanter's own words: "It turns out that the issues raised by Òsófisan and Fugard . . . far from being tangential to those of Sophocles, are inscribed at the very heart of the Oedipal cycle. Yet their inscription has proved difficult to read by interpreters of Antigone who have inherited ways of reading inflected by philosophical and psychoanalytic legacies, which are themselves implicated in imperialism, bolstered by new world slavery" (143). Chanter's critique of the West's reception of Antigone is often illuminating, but the proposition that colonialism per se is the culprit of blindered readings and that slavery lies somehow at the heart of Sophocles' original play fails to convince. There are disclaimers that this is not in fact the argument. For example: "The argument is [not] that Sophocles' Oedipal cycle is really about the question of slavery" (xiii) and "I hope it is clear that my effort here is not to produce a universal narrative in which the truth about Antigone turns out to be that it is really about slavery" (144). But so much of Chanter's discussion focuses on the topic of slavery-e.g., "A central task of the book is to demonstrate that Antigone's discrimination of her brother Polynices from a slave is part of a larger complex of...