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Abstract
The modern handbell ensemble, as a musical instrument, presents unique possibilities to composers. Much of the current handbell ensemble repertoire is intended for church or pedagogical use. However, this instrument features a dazzling array of extended techniques, a kinetic visual quality, and a vast range of pitches, dynamic possibilities, and textures. Therefore, composers should bring the handbell ensemble into the currents of the new music world, a culture that appreciates uniqueness in instruments.
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