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- Abstract
- Historical Background: The Making of a Science of Affectivity (1770–1910)
- Revisiting the Conceptual History of Affective Sciences
- The Early Emergence of a Scientific Paradigm
- The Principles of Waitz’s Affective Psychology
- Affective Versus Cognitive Processes
- Feelings as “Epistemic” Factors
- Feelings as Emergent Properties of the Mind
- The Twofold Typology of Feelings
- The Psychology of Formal Feelings
- The Nature and General Properties of Formal Feelings
- Typological Analysis of Formal Feelings
- The Psychology of Qualitative Feelings
- The Nature and General Properties of Qualitative Feelings
- Intellectual Feelings or Feelings of Truth
- Aesthetic Feelings
- Nature and general properties of aesthetic feelings
- Aesthetic feelings in the visual arts
- Aesthetic feelings in music
- Moral Feelings
- Conclusion: Waitz as a Pioneer of the Affective Theory of Musical Expectation
Abstract
The German psychologist Theodor Waitz (1821–1864) was an important theorist of affectivity in the mid-19th century. This article aims to revisit Waitz’s contribution to affective psychology at a crucial moment of its history. First, I elaborate the context in which Waitz’s ideas were carried out by showing how affective sciences emerged as an autonomous field of investigation between about 1770 and 1910. Second, I discuss the principles of Waitz’s model of affectivity and their contextual significance. Third, I deal with the first major category of affective states identified by Waitz, namely, “formal feelings,” which are supposed to be involved in the appraisal of the relational properties between representations. Fourth, I investigate “qualitative feelings,” the second major category of affective states identified by Waitz, which refer to affective processes that relate to specific representational contents, namely, intellectual, aesthetic, and moral feelings. In conclusion, I emphasize the genealogical link between Waitz’s pioneering research on musical feelings and current research on emotion and expectation in music.
Theodor Waitz (1821–1864) was an eminent German polymath, who, during his brief career, made significant contributions to philosophy, psychology, anthropology, and the history of religions (Eisler, 1912; Gerland, 1896; Zeller, 1877). Whereas his anthropological thought has been recently revisited (Bunzl, 1996; Jahoda, 2014; Whitman, 1984), Waitz’s contribution to psychology has been completely disregarded by historians. In the second half of the 1840s, the period during which he was active as a psychologist, Waitz published two psychological monographs, the Grundlegung...