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Abstract

In the wake of a rescaling of national state welfare responsibilities, urban centres, like the city of Toronto, have become new governance sightlines for managing the deleterious effects of a globalised restructuring of capitalist economies. Toronto is now trafficking its multicultural and 'creative city' flare in regional and global markets to secure capital investment necessary to float its newly acquired fiscal responsibilities, including welfare and social services provisioning. And a host of local private-public partnerships have appeared as 'shadow state' actors to assist in the suturing of disenfranchised communities to the operative logics of neo-liberal governance and globalised city aspirations. Social welfare and urban studies literature has not been attentive to the increasing reliance on visuality and the 'aesthetic' more broadly in securing these desired social and economic outcomes. My ethnographically based dissertation picks up this analytical slack by inciting a two-fold intervention: First, I hone in on the efficacious properties of visual images produced within 3 different social policy spaces and their presumed roles in constituting the domains of social interaction and production. This analysis illustrates that different policy crafting experts understand the 'aesthetic' as a remunerative technology of governance - for regulating the problematics of socio-economic and racialised difference, and for mediating rifts in the social fabric as fallout from welfare retrenchment. Second, I examine the ways in which certain normativised aesthetic sensibilities connected to neoliberal urbanism serve as both a calculative resource for re-defining certain spaces and subjects as problematic and thus controllable, and an interpellative mechanism for assembling moralized subjects around the dictates of responsibility and (self) empowerment. The dissertation argues that although these aesthetic governance strategies are resulting in a depoliticisation of communities, and a moralised segregation of compliant and non-compliant subjects played out along racialised/economic lines, there exists a level of disruption transpiring in the spaces of policy implementation. In situ attention to these disruptions, layered with a reflexive analytical restaging of these events and a critical analysis of deployed governance strategies are proposed as a grounding for social work, research and social policy praxis. Copies of dissertations may be obtained by addressing your request to ProQuest, 789 E. Eisenhower Parkway, P.O. Box 1346, Ann Arbor, MI 48106-1346. Telephone 1-800-521-3042; e-mail: [email protected]

Details

Classification
Identifier / keyword
Supplemental data
352 p. Ph.D. Advisor: Williams, Charmaine Edition date: 2012.
Title
Aesthetics of Social Work: Governing risky spaces and youth subjects through techniques of visuality.
Author
Crath, Rory D 1 

 University of Toronto (Canada) 
Correspondence author
Volume
76
Issue
04
Publication year
2015
Publisher
ProQuest, Ann Arbor MI
ISBN
9781321383515
ISSN
0419-4209
CODEN
DABAA6
Source type
Dissertation or Thesis
Language of publication
English
Document type
Dissertation
Publication note
ProQuest, Ann Arbor MI, 2015
Publication / order number
AAI3665598
Update
2016-03-01
Accession number
201601810
ProQuest document ID
1767324075
Document URL
https://www.proquest.com/dissertations-theses/aesthetics-social-work-governing-risky-spaces/docview/1767324075/se-2?accountid=208611
Last updated
2016-09-28
Database
ProQuest One Academic