Bibliography

Books:

"Minoan Palace Planning and Its Origins," PhD., Cambridge (MA): Harvard University 1968.

Labrys (Report on the Yale Project on Architectural & Settlement Analysis), New Haven, Charlton Press, 1970

The Semiotics of the Built Environment: An Introduction to Architectonic Analysis, Bloomington: Indiana University Press, 1979.

Architecture, Language and Meaning: The Origins of the Built World and Its Semiotic Organization, The Hague: Mouton Press, 1979.

Praxis and Semiosis: Architecture and Art as Production of Signs, Toronto: Victoria University Press, 1980.

Minoan Architectural Design: Formation and Signification, Berlin: Mouton Press, 1983.

Rethinking Art History: Meditations on a Coy Science, New Haven: Yale University Press, 1989.

Donald Preziosi, Irene A. Bierman, and Rifa'at Abou-El-Haj, eds, The Ottoman City and Its Parts: Urban Structure and Social Order, New Rochelle, NY: A.D. Caratzas, 1991.

Donald Preziosi, ed, The Art of Art History: A Critical Anthology, Oxford: Oxford University Press, 1998 (revised ed. 2009) (Chinese translation, 2016; Korean translation 2013).

Donald Preziosi and Louise Hitchcock, Aegean Art & Architecture, Oxford: Oxford University Press, 1999.

Brain of the Earth's Body: Art, Museums, and the Phantasms of Modernity (The 2001 Slade Lectures in the Fine Arts at Oxford), Minneapolis: University of Minnesota Press, 2003.

Claire Farago and Donald Preziosi, eds, Grasping the World: The Idea of the Museum, Aldershot (UK): Ashgate, 2004.

In the Aftermath of Art: Ethics, Aesthetics, Politics, London: Routledge, 2006, with a critical commentary by Joanne Lamoureux.

Claire Farago and Donald Preziosi, Art Is Not What You Think It Is, Chichester, West Sussex: Wiley-Blackwell, 2012.

Art, Religion, Amnesia: The Enchantments of Credulity, London: Routledge, 2014.

Journal Articles and Essays in Books:

Donald Preziosi, 'Harmonic Design in Minoan Architecture', Fibonacci Quarterly/Journal of Mathematics of the University of California, 6:6, 1968, 370-384.

Donald Preziosi, 'The Non-Dichotomy of Sensory and Grammatical Relationships: Toward a Relational Theory of the Built Environment', in Peter A. Reich, ed, The Second LACUS Forum 1975, Columbia CS, Hornbeam, 1978, 627-636.

Donald Preziosi, 'Language and Perception', in Michel Parados, ed, The Fourth LACUS Forum 1977, Columbia SC, Hornbeam, 1978, 51-60.

Donald Preziosi, 'The Parameters of the Architectonic Mode', Ars Semiotica, 1979, 2:1, 23-32.

Donald Preziosi, 'Architectonic and Lingusitic Signs', in Wendy Steiner, ed, Image and Code, Ann Arbor: University of Michigan Studies in the Humanities, 1981, 167- 175.

Donald Preziosi, 'Constru(ct)ing the Origins of Art', Art Journal, 42:4, 1982, 320-5.

Donald Preziosi, 'The network of architectonic signs', in Tasso Borbé, ed, Semiotics unfolding, Vol 3, Berlin, Mouton de Gruyter, 1983, 1343-1349.

Donald Preziosi, Visuelle Kommunikation und/oder verbale Kommunikation? mit Beiträgen von Donald Preziosi, et al., Martin Krampen, ed, based on papers presented at a conference of the Berliner Hochschule der Künste, Reihe Semiotische Studien zur Kommunikation 1, Hildesheim & New York, G. Olm; Berlin, Hochschule der Künste, 1983.

Donald Preziosi, 'Advances in the Semiotics of the Built Environment', Semiotica, 49:1/2, 1984, 175-189.

Donald Preziosi, 'Relations between Environmental and Linguistic Structure', The Semiotics of Culture and Language, II: Language as Social Semiotics, London and Dover, Pinter, 1984, 47-71.

Donald Preziosi, 'Subjects + Objects: The Current State of Visual Semiotics', New Directions in Linguistics and Semiotics, James E. Copeland, ed, Amsterdam: Benjamins, 1984, 179-205.

Donald Preziosi, 'Relations between Environmental and Linguistic Structure', in R. Fawcett and M.A.K. Halliday, S. Lamb and A. Makkai, eds, The Semiotics of Language and Culture, Vol 2, Language and Other Semiotic Systems, London, Pinter, 1985, 48-68.

Donald Preziosi, 'Semiotics, Art History & Materialism', Anthropologika, 7, 1985, 37-50.

Donald Preziosi, 'That Obscure Object of Desire: The Art of Art History', Boundary 2: A Journal of Postmodem Literature and Culture, 13:2, 1985, 1-41.

Donald Preziosi, 'Frühe Stadtpläne: Semiotische Aspekte der Darstellung von Architektur', Zeitschrift für Semiotik, 7, 1985, 35-47.

Donald Preziosi, 'Structure as Power: The Mechanisms of Urban Meaning', Espaces et Sociétés, 47, 1985, 45-55.

Donald Preziosi, 'On signe ici: Tracing with a Pencil the Shadow of the Tracing Pencil', in L'Amour fou: Photography and Surrealism, Washington DC, Corcoran Gallery of Art, 1985.

Donald Preziosi, 'The Multimodality of Communicative Events', in Frontiers in Semiotics, John N. Deely, Brooke Williams, and Felicia Kruse, eds, Bloomington: Indiana University Press, 1986, 44-50.

Donald Preziosi, 'Reckoning with the World: Figure, Text and Trace in the Built Environment', American Journal of Semiotics, 4:1, 1986, 1-15.

Donald Preziosi, 'Between Power & Desire: The Margins of the City', in Demarcating the Disciplines: Philosophy, Literature, Art (Glyph Textual Studies 1), 1986, 237-253.

Donald Preziosi, 'Scholars Interviewed', in Object, Image, Inquiry: The Art Historian at Work, Elizabeth Blakewell, William O. Beeman, Carol McMichael Reese, and Marilyn Low Schmitt, eds, Santa Monica CA, Getty Art History Information Program, 1988

Donald Preziosi, 'Rewriting an Urban Text: The Ottomanization of Cretan Cities', in Medieval Arachaeology: Papers of the Seventh Annual Conference of the Center for Medieval and Early Renaissance Studies, Charles L. Redman, ed, Binghamton: State University of New York at Binghamton, 1988, 285-298.

Donald Preziosi, 'La Vi(ll)e en Rose: Reading Jameson Mapping Space', Strategies, 1, 1988, 75-94.

Donald Preziosi and Ernst Kitzinger, 'On "Some Observations on Recent Architectural History', The Art Bulletin, 71:2, 1989, 310-11.

Donald Preziosi, 'Oublier la Citta', Strategies 3, 1990, 261-262.

Donald Preziosi, 'Putting Up (with) Meaning', review of John Onians, Bearers of Meaning, The Oxford Art Review, 1990, 121-124.

Donald Preziosi, 'The Question of Art History', Critical Inquiry, 18:2, 1991, 363-386.

Donald Preziosi, 'Picturing the City', Architecture California, 14:1, 1992, 38-42.

Donald Preziosi, 'Art History, Museology, & the Framing of Modernity', in Parallel Visions: Modern Artists and Outsider Art, Carol S. Eliel and Maurice Tuchman eds, Los Angeles: Los Angeles County Museums of Art, 1992, 296-307.

Donald Preziosi, 'Seeing Through Art History', in Knowledges: Historical and Critical Studies in Disciplinarity, David R. Shumway, David Sylvan & Ellen Messer-Davidow, eds, Charlottesville: University Press of Virginia, 1993, 215-231.

Donald Preziosi, 'Modernity Again: The Museum as Trompe-L'Oeil', in Deconstruction and the Visual Arts: Art, Media, Architecture, Peter Brunette and David Wills, eds, Cambridge: Cambridge University Press, 1993, 141-150.

Donald Preziosi, 'Introduction: Institutionalizing Art History: The Early Discipline in the US', in The Early Years of Art History in the United States, Craig Hugh-Smyth and Peter M. Lukehart, eds, Princeton: Dept. of Art and Archaeology, Princeton University, 1994, 147-150.

Donald Preziosi, 'The Question of Art History', Joel Snyder, 'A Response to Donald Preziosi', and Preziosi, 'A Rejoinder to Joel Snyder', in Critical Inquiry, 18:2, 1992, 363-386, reprinted in Questions of Evidence: Proof, Practice, and Persuasion Across the Disciplines, James Chandler, Arnold I. Davidson, and Harry Harootunian, eds, Chicago: University of Chicago Press, 1994, 203-40.

Donald Preziosi, 'Museology and Museography', The Art Bulletin, 77:1, March 1995, 13-15.

Donald Preziosi, 'In the Temple of Entelechy: Museums as Evidentiary Artifacts', in The Formation of National Collections of Art and Archaeology, Gwendolyn Wright, ed, Washington: National Gallery of Art, and Hanover, N.H.: University Press of New England, 1996, 165-71.

Donald Preziosi, 'Brain of the Earth's Body: Museums and the Framing of Modernity', in The Rhetoric of the Frame, Paul Duro, ed, London: Cambridge University Press, 1996, 96-110.

Donald Preziosi, 'Art History, Museums, Collecting', Museum Anthropology, 20:2, Summer 1996, 5-6.

Donald Preziosi with L. Hitchcock, 'The Knossos Unexplored Mansion and the 'Villa Annex Complex', in The Functions of the "Minoan Villa": Proceedings of the Eighth International Symposium at the Swedish Institute at Athens, 6-8 June 1992, Robin Hägg, ed, Sweden: Almqvist &Wiksell Tryckeri, Uppsala, 1997, 51-62.

Donald Preziosi, 'A Tale of Two Carpets', Visio (International Association of Visual Semiotics),3:1, 1998, 85-94.

Donald Preziosi, 'Museology', The Encyclopedia of Aesthetics Vol. 3, Michael Kelly, ed, Oxford: Oxford University Press, 1998, 305-08.

Donald Preziosi, 'Art History's Art and the Art of Art History', Lier en Boog, Series of Philosophy and Art Theory, 13, The Archive of Development, 1998, 108-115.

Donald Preziosi, 'Virtual (Art) History', RACAR: Revue D'art Canadienne / Canadian Art Review, 26:2,1999, 91-95.

Donald Preziosi, 'The Crystalline Veil and the Phallomorphic Imaginary: Walter Benjamin's Pantographic Riegl,'in The Optic of Walter Benjamin: De-, Dis-, Ex-, Vol. 3, London: Black Dog Publishing, 1999, 120-136.

Donald Preziosi, 'The Unnatural Body of Art History', in Performing the Body/Performing the Text, Amelia Jones and A. Stephenson, eds, London: Routledge, 1999, 29-38.

Donald Preziosi, 'No Art, No History: Victorian Museums & the Metaphysics of the Subject', Visio (International Association of Visual Semiotics), 4:3, Autumn-Winter 2000, 63-80.

Donald Preziosi, 'Hearing the Unsaid: Art, Museology, and the Composition of the Self", Valor, Vol. 3, 2000, 55-74.

Claire Farago and Donald Preziosi, a review of Neil Cummings and Marysia Lewandowska, The Value of Things, Basel-Berlin: Birkhäuser and London: College Art Association Reviews, August, 2000, 222.

Donald Preziosi, 'Romulus, Rebus, and the Gaze of Victoria', The Journal of Culture and the Unconscious, 2, Fall 2001, 1-18.

Donald Preziosi, 'The Object(s) of Art History', Budapest Review of Books, 3:3, Winter 2001/2, 80-7 (reprinted in The Past in the Present: Contemporary Art and the Myths of Art History, Bratislava: Soros Center for Contemporary Art, 2002).

Donald Preziosi, 'Reckoning with Things', Kritische Berichte: Zeitschrift fuer Kunst- und Kulturwissenschaften, 30:1, 2002, 5-21.

Donald Preziosi, 'Collecting/Museum', in Critical Terms in Art History, Richard Shiff and Robert Nelson, eds, Chicago: University of Chicago Press, 1996; 2nd revised and expanded edition, 2002, 407-418.

Donald Preziosi, 'Seeing Soane Seeing You', in Compelling Visuality: The Work of Art in and out of History, Claire J. Farago and Robert Zwijnenberg, eds, Minneapolis: University of Minnesota Press, 2003, 211-236.

Donald Preziosi, 'Hearing the Unsaid: Art History, Museology, and the Composition of the Self', in Art History and its Institutions: Foundations of a Discipline, Elizabeth Mansfield, ed, London: Routledge, 2003, 28-45.

Donald Preziosi, 'The Museum of What You Shall Have Been', in Heritage: Cultures and Politics in Europe, Shannan Peckham and Denis Cosgrove, eds, London: I.B. Tauris, 2003, 169-181.

Donald Preziosi, 'Von Dingen verfolgt. Utopien und ihre Folgen', in Die Unruhe der Kultur. Potentiale des Utopischen, Joern Ruesen, Michael Fehr and Anneliese Ramsbrock, eds, Goettingen: Velbrueck Wissenschaft, 2004, 207-229.

Donald Preziosi, 'Visual Culture, Transvestiture and Political Catastrophe (Or, So Is Art Queer, Then?)', Journal of Visual Culture, 3:3, December 2004, 275-290.

Donald Preziosi, 'Unmaking Art History', in The Past in the Present: Contemporary Art and the Myths of Art History, Elizabeth Mansfield, ed, London: Routledge, 2006, 117-130.

Donald Preziosi, 'Philosophy and the Ends of the Museum', in Museum Philosophy for the 21st Century, Hugh Genoways, ed, Maryland: Altamira Press, 2006, 69-78.

Donald Preziosi, 'Art History & Museology: Rendering the Visible Legible', Blackwell Companion to Museum Studies, Sharon Macdonald, ed, Oxford: Blackwell, 2006, 50-63.

Donald Preziosi, 'Art & the Contemplation of Presence', Presence, Louisville: Speed Museum of Art, 2006, 130-147.

Donald Preziosi, 'Museums & Other Dangerous Things', Mouseologika Tetradia, January 2007.

Donald Preziosi, 'Enchanted Credulities: Art, Religion, and Amnesia', X-Tra: Journal of Contemporary Art, 11:1, Fall, 2008: 18-25.

Donald Preziosi, 'Fortryllet Lettroenhed-kunst, religion og hukommelstab', Gudlos! Religionskritik I dag, Mette Thuno and Ehab Galal, eds, Copenhagen: Tiderne Skrifter, 2009, 203-218.

Claire Farago and Donald Preziosi, 'Preface-Culture/Cohesion/Compulsion: Museological Artifice and its Dilemmas," in Compelling Cultures: Representing Cultural Diversity and Cohesion in Multicultural Australia,' Kylie Message, ed, special issue of The Journal of the Research School of the Humanities, The Australian National University, 15:2, 2009, 1-8.

Donald Preziosi, 'Narrativity and the Museological Myths of Nationality', Museum History Journal, 2:1, 2009, 37-50.

Donald Preziosi, 'Art, land, and the gendering of Parnassus', Semiotica, June 2009, 175, 177-191.

Donald Preziosi, 'Endpiece: The Homunculus & The Pantograph, Or, Narcissus at the Met', in Museums & Biographies: Stories, Objects, Identities, Kate Hill, ed, London: Boydell & Brewer, 2011, 321-326.

Donald Preziosi, 'La Vi(ll)e en Rose: Reading Jameson Mapping Space', in Strategies for Theory: From Marx to Madonna, R.L. Rutsky and Bradley J. Macdonald, eds, Albany: State University of New York Press, 2012, 75-94.

Donald Preziosi, 'Orthochronicity and its (Dis)contents', in Cretomania: Proceedings of the International Workshop on the Reception & Redeployment of Minoan Material Culture Traditions & Practices, Nicoletta Momigliano and Alexandre Farnoux, eds., Athens: Ecole française d'Athènes, November 2013, 23-4.

Donald Preziosi, 'Semiosis and the Tragedy of Purity (Plato's Dilemma)', Continent, 4:1, 2014, 47-52.

Donald Preziosi and Jae Emerling, 'Kunstgriff: l'art est un évènement, pas une merchandise, Esse, 85, 2015, 6-11.

Donald Preziosi, 'Poetry Makes Nothing Happen and Architecture is When Theory is the Residue of a Journey,' Journal of Visual Culture (forthcoming December 2016).

Donald Preziosi, '(Im)Possible Historiographies of Aegean Archaeology,' in Louise Hitchcock & Brent Davis, eds, Blackwell Companion in Aegean Art & Architecture, Chichester: Wiley (forthcoming)

Interviews/Wall T ext/Miscellaneous:

Donld Preziosi, Strategies 3, Danish State Television, November 1989.

Donald Preziosi, 'The End(s) of Art History', Strategies, Danish State Television, Episode 3, 1990.

Donald Preziosi, 'Art 'After the Post Modern', Danish State Television, November 1990.

Donald Preziosi, 'Museology and Museography', reformatted as wall text of the exhibition on "Gay Identities 'IN:VISIBLE'" curated by Anthony Gorny, at The Franklin Institute, Philadelphia, May 24-Aug 6, 1995.

Donald Preziosi with John Walsh, 'Getty Research Institute and Museum Complex Opening', BBC-TV London Evening News, June 6, 1995.

Donald Preziosi, 'Sexual Politics an Important Show', Los Angeles Times, May 13, 1996, disseminated by request to the Feminist Art Historians Listserve, <[email protected]>, May 20, 1996.

Claire Farago and Donald Preziosi, 'Margo Sawyer, Sculptor', University of Colorado, November, 1999, video interview.

Donald Preziosi with Susan Manchester, 'Thinking Sound: Interview with Donald Preziosi', Bombay, 31, Spring 2005

Donald Preziosi with Nilay Özlü, 'Interview with Professor Donald Preziosi', Tarih: Graduate History Journal, 2, 2010, 34-47.