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"I don't care how many Bonanza you watch, nothing get your brain ready for real America!"
Matussem Ramoud, from Arabian Jazz (89).
THIS ESSAY will examine the emergence of Arab American literature as it relates to the sudden visibility of this community in the political and cultural topography of the United States.1 Over the past decade, a growing body of scholarship has analyzed the growth and makeup of domestic Arab life, in the process crystallizing the designation Arab American, if not the boundaries surrounding such a broad term. Arab Americans have been active socially and politically throughout the twentieth century,2 but after 1967 emphasis on cultural preservation and political activity not simply as American citizens but as Arab citizens of America has led to some recognition of an Arab entity by mainstream America. Accompanying this activity has been a body of literature, examined by scholars such as Lisa Suhair Majaj, Evelyn Shakir, Joanna Kadi, Munir Akash, and Khaled Mattawa, as specifically Arab American. Where text-- specific analyses exist, however, they tend to deal more with poetry than fiction, perhaps simply because up to this point the available poetry is more extensive. I seek to fill a gap in Arab American literary scholarship by focusing on two works of fiction, Joseph Geha's Through and Through: Toledo Stories (1990) and Diana Abu-Jaber's Arabian Jazz (1993).3
I have chosen these two texts for practical, theoretical, and aesthetic reasons. Although continuous Arab artistic expression existed in the United States throughout the twentieth century, Through and Through brought before the public important fictive depictions of the Arab American community that demand interrogation in relation to that community in particular and to American Studies in general. Arabian Jazz constituted at the time the most sophisticated aesthetic offering by an Arab American author of fiction. It was, one might say, a landmark work in the Arab American tradition, not unlike Momaday's House Made of Dawn in that of Native America. More crucial are the range of themes in both books, which explore the "othering" of Arabs in American society, assimilation patterns, stereotypical attitudes by both White and Arab characters, gender relationships, and the complexities of ethnic signification (often a layered process among Arab Americans). The texts are therefore adequately multivalent to introduce...