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Tina Chen. Double Agency: Acts of Impersonation in Asian American Literature and Culture. Stanford: Stanford UP, 2005. xxvi + 247 pp.
Jennifer Ann Ho. Consumption and Identity in Asian American Coming-of-Age Novels. New York: Routledge, 2005. ix + 202 pp.
Zhou Xiaojing and Samina Najmi eds. Form and Transformation in Asian American Literature. Seattle: U of Washington P, 2005. 296 pp.
A department chair once advised me to highlight questions of identity in the posted course description for my Asian American Literature course as a way to attract greater student enrollment. This suggestion, canny as it was in its marketing strategy, illustrates a distinction that is often made between Asian American Studies and other fields of ethnic studies. While African American Studies, Chicano/ a Studies, and Native American Studies courses are generally thought to focus on politics and history, the central concern of Asian American Studies courses is assumed to be identity. Specifically, Asian American subjects are interpreted as the site of struggle and reconciliation between "Asian culture" and "American culture." Thirty-plus years after Ben R. Tong and the Aiiieeeee! editors made their critique of the notion of the Asian American "dual personality," the presumed opposition between Asian and American lives on. This pervasive paradigm of identity conflict is reminiscent of, even as it departs from, the figure of the tragic mulatto/a in the nineteenth century. An essay by Christopher Douglas in Zhou Xiaojing and Samina Najmi's Form and Transformation in Asian American Literature helps us understand the shift from mulatto/a to Asian American as figures of racial and national tension, from a biologistic notion of warfare between two blood strains, to a culturalist concept of assimilation into the modernity of the US nation. In his reading of Jade Snow Wong's Fifth Chinese Daughter, Douglas shows how twentieth-century social science discourse has largely replaced biological notions of race with ethnographic notions of culture. In the late nineteenth and early twentieth century, Asian and Asian American subjects were considered alien by virtue of biological race. The more common contemporary gesture is to consider Asian and Asian American subjects alien insofar as they adhere to Asian culture. Hence, American-born-and-raised Asian American subjects are assumed to embody an identity crisis, pulled between Asian cultural tradition and American cultural...