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IN I975, BROADWAY was hit by a storm that was bigger than the one that swept Dorothy Gale away from Kansas and into the Land of Oz. That storm was a musical called The Wiz, directed by the inimitable Geoffrey Holder (1930-2014), whose illustrious career spanned four decades as an actor, director, painter, and costume designer. After The Wiz suffered a series of disastrous previews at the Mechanic Theatre in Baltimore and the Fisher Theatre in Detroit, Holder took over the reins of the latter production from director Gilbert Moses. What happened afterward was nothing short of a miracle. Rallying around Holder, choreographer George Faison, composer/lyricist Charlie Smalls, and librettist William F. Brown joined forces to heal a fractured cast after Gilbert's departure. After affectionate hugs and chanting positive mantras failed to win over the cast, Holder decided to use his own money to purchase food and drink to bring the cast closer together.1 The plan worked to get the production to New York, but it could not prevent an inauspicious Broadway opening, with The Wiz widely panned by critics. The production nearly closed amid deepening financial woes. However, the ultimate success of the musical did not come via flashy marketing but from oldfashioned word-of-mouth promotion.2 Sandra Manley, a press agent for the show, gave away limitless press tickets to radio personalities, newspaper writers, and television agents in exchange for their promotion of the struggling show.3
While the debuts of fifteen-year-old Stephanie Mills as Dorothy and eighteen-year-old Hinton Battle as the Scarecrow were heralded as breakout performances, Holder's innovative and inspired direction quickened the pace of the show. Not only did The Wiz become a runaway hit, but it received a number of awards along the way. The show ran from January 1975 to May 1977 at the Majestic Theatre, and then from May 1977 to January 1979 at the Broadway Theatre, for a total of 1,672 performances.4 The show garnered Holder two Tony Awards, for Best Direction of a Musical and for Best Costume Designs.5 Although the iconic costumes from the film The Wizard of Oz (1939) have become touchstones of American cultural memory, Holder created new costumes for The Wiz with great flamboyance and aplomb, giving the story a new cultural context. Evocation...