Ceramic musealization: how ceramics are conserved and the implications for research

Abstract

The conservation of ceramics in museums today follows protocols and ethical guidelines developed during the latter half of the twentieth century that are based on respect for the original fabric as well as knowledge gained in the material sciences. Modern conservation incorporates three main areas of activity: (1) preventive conservation, (2) remedial conservation, (3) restoration. Conservators are expected to follow a scientific process that includes the following: (1) conducting background research, (2) devising appropriate treatment strategies, (3) recording all work done and (4) assessing the outcome of the treatments. All conservation treatments should be minimally invasive and reversible. In practice, however, many treatments can affect the evidential character of ceramics. Suggestions are made that could improve collaboration between conservators, conservation scientists, and ceramic researchers.