Die Openingsgedig as Programgedig

Abstract

Die felt dat gedigte gebunclel, en die bundel van 'n oorkoepelende titel voorsien word, impliseer, op watter manier dan ook al, dat die gedigte jets met mekaar in gemeen het. "Elke gedig wil as't ware gelees word teen die agtergrond van die bundel waarvan dit 'n konstituerende onderdeel is".

'n Verdere felt is dat die gedigte in 'n bundel mekaar gewoonlik nie bloot willekeurig opvolg nie, maar een of ander ordening vertoon. Hierdie felt van die beplande voigorde gooi die openingsgedig natuurlik in besondere re1if. Dikwels is By meer as net maar die eerste in 'n reeks.

In hierdie hoofstuk wil ek proheer bepaal of die openingsgedigte vanbunde1s 'n programmerende posisie t.o.v. die gedigte wat hulie voorafgaan, het en in watter opsigte dit moontlik Is.

'n Gedig vertoon 'n hele aantal kenmerke. Sommige van hierdie kenmerke is poties meer sentraal as ander. Onder eg. val o.a. ritmies-melodiese ordening (met samestellende kornponente soos maat - wat op sy beurt 'n sintese is van metrum en r:Ltme en kiankordening, waarin rymskema Al dikwels In belangrike rol sped) ; die kontrapunt van versre1- en trofeverde1ing aan die een kant en sintaksis aan die ander; en I)eeldlng. Onder 1g. val faktore soos motiewe en temas scntraal": omdat hulie ook in nie-posie sterk iigureer)

Ons wil ha 'n aantal openingsgedigte van hundeis kyk en vasstel watter potiese faktore in die praktyk programmaties hlyk. Dis 'n opname van die stel faktore - of op die minste dc belangrikste - ten opsigte waarvan openingsgedigte vooraankondigend funksioneer.

Abstract (AI English translation)

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The feeling that poems are bundled, and the collection is provided with an overarching title, implies, in whatever way, that the poems have things in common. "Each poem wants to be read, as it were, against the background of the collection of which it is a constituent part".

A further feeling is that the poems in a collection usually do not simply follow each other at random, but show some sort of arrangement. This feeling of the planned voigorder naturally throws the opening poem into special relief. Often By is more than just the first in a series.

In this chapter I first want to determine whether the opening poems of the Bundes have a programming position in relation to the poems that precede them have and in what respects this is possible.

A poem exhibits a number of characteristics. Some of these features are poetically more central than others. Under real falls among others rhythmic-melodic ordering (with constituent components such as beat - which in turn is a synthesis of meter and rhythm and rhythmic ordering, in which rhyme schemes often play an important role); the counterpoint of verre1 and trofeverdi11 on the one hand and syntax on the other; and I)eeldlng. Under 1g. factors such as motifs and themes are central": because they also strongly figure in non-position)

We want to look at a number of opening poems of Hundeis and determine which poetic factors sound programmatic in practice. It's a survey of the set of factors - or at least the most important - in respect of which the opening poems function as an announcement.