Abstract
To understand the synergy between the failure mechanisms and to design suitable preventive conservation strategies and treatments, the multi-analytical approach adopted included X-ray fluorescence spectroscopy (XRF), fibre optic reflectance spectroscopy (FORS), micro-Fourier transform infrared spectroscopy (µ-FTIR) and gas chromatography-mass spectrometry (GC–MS). Through pyrolysis–gas chromatography-mass spectrometry, researchers found a copal-containing medium in the paint that Picasso had added to create smooth, glossy, fluid stripes. [...]the editors would like to thank the Museu Picasso and the different research institutions involved, as well as the specialists from museums, universities and research institutes worldwide for their generous participation in the symposium.
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Details
1 Universitat Politècnica de València, Instituto Universitario de Restauración del Patrimonio, Valencia, Spain (GRID:grid.157927.f) (ISNI:0000 0004 1770 5832)
2 Queen’s University, Art Conservation Program, Department of Art History and Art Conservation, Kingston, Canada (GRID:grid.410356.5) (ISNI:0000 0004 1936 8331)
3 Museu Picasso, Barcelona, Spain (GRID:grid.410356.5)