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Does Ridley Scott see himself in the hero of his epic new film?
CAPTION: Sony’s Tom Rothman calls the octogenarian director “the single best argument for a second term for Joe Biden.” IMAGE CREDIT: Photograph by Christopher Anderson
CAPTION: Scott hand-draws storyboards, called Ridleygrams, for every scene. IMAGE CREDIT: COURTESY RIDLEY SCOTT
On the morning of the Battle of Waterloo, Napoleon Bonaparte was full of catastrophic confidence. His seventy-three thousand troops were camped on a ridge near a tavern called La Belle Alliance. His nemesis, the Duke of Wellington, occupied a slope across the fields, with a mere sixty-seven thousand troops. Over breakfast, Napoleon predicted, “If my orders are well executed, we will sleep in Brussels this evening.” When his chief of staff offered a word of caution, Napoleon snapped, “Wellington is a bad general and the English are bad troops. The whole affair will not be more serious than swallowing one’s breakfast.”
He was already making mistakes. Underestimating his enemies’ capabilities and overestimating his own, he assumed that the woods behind the British would block their retreat, but Wellington had strategically used the forest to hide more soldiers. An overnight downpour had left the fields soggy, and Napoleon, instead of striking at nine, as he had planned, held off until midday, giving the Prussians crucial time to reach Wellington as backup. Napoleon was tired. He was ill. He was strangely apathetic, declining to survey parts of the battlefield himself. Michael Broers, a Napoleon scholar at Oxford, told me, “The real question isn’t so much Why did he lose? but How on earth did he ever think he could win?”
In 2020, Broers was grading a student’s essay when he got a call from an assistant in Ridley Scott’s office, explaining that the director was planning an epic film about Napoleon, starring Joaquin Phoenix. Summoned to Scott’s headquarters, in London—crammed with movie props, it reminded Broers of Aladdin’s cave—the professor advised Scott on everything from the motivations of Empress Josephine to whether Napoleon was left-handed. (He wasn’t.) Scott was particularly interested in battles, from both a practical and a psychological perspective. “He saw at eye level,” Broers recalled. “His Waterloo was like a diorama.” At one point, Broers drew him a map, and the director...