An aesthetic of witness: The interaction of photographs and nonfiction prose in George Orwell's “The Road to Wigan Pier”, James Agee and Walker Evans's “Let Us Now Praise Famous Men”, and Virginia Woolf's “Three Guineas” - ProQuest

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An aesthetic of witness: The interaction of photographs and nonfiction prose in George Orwell's “The Road to Wigan Pier”, James Agee and Walker Evans's “Let Us Now Praise Famous Men”, and Virginia Woolf's “Three Guineas”

Burton, Diane. The University of Tulsa ProQuest Dissertations Publishing, 2003. 3083331.