Abstract/Details

Poesía, canción y cultura popular en LatinoAmérica: La Nueva Canción Chilena

Vilches, Freddy O.   University of Oregon ProQuest Dissertations & Theses,  2006. 3224128.

Abstract (summary)

By analyzing the close connections and prolific dialogues among poetry, song, "high", and popular culture, in the Nueva Canción Chilena, this dissertation sheds light on the profound social and cultural impact this movement has had on the Chilean and Latin American collective imaginary. As a method of analysis, this dissertation uses a transdisciplinary approach drawing from different academic fields and recent works on poetry, song, ethnomusicology, orality and literacy, and Latin American Cultural Studies.

The Nueva Canción Chilena successfully combined "lettered" poetic and musical forms with popular and folkloric traditions, and a strong social message in the context of a larger cultural and political movement. Through the inclusion of previously marginalized groups of society, it presented alternatives to elitist conceptions of art, offered a more democratized cultural vision, and proposed a revised concept of nationhood that challenged the "mesocratic" ideal of the Chilean nation formulated during the preceding decades. As in the poetry of Gabriela Mistral, Pablo Neruda, Nicanor Parra, and Nicolás Guillén, the Nueva Canción Chilena "imagined" a more inclusive Latin America, and constituted a true alternative to hegemonic and exclusionary ideas of the Chilean nation.

The Nueva Canción Chilena challenged the hegemony of Chilean ruling groups and attempted to bring political change through cultural means. It played a crucial role in, but was not limited to, the coming to power of the Popular Unity Front and their attempt to establish a more egalitarian society. By proposing a new definition of Chilean and Latin American identity, one that embodied both a connection with the past and a commitment with building a future, it constituted a challenge to existing representations that promoted, justified, or condoned the exclusion of the majorities and the continuation of traditional and modern forms of domination and oppression. In turn, it offered representations that promoted egalitarianism, social justice, and political and ethnic emancipation. Through its rich lyrics, the Nueva Canción Chilena reformulated the concept of nationhood and helped redefine what it means to be Chilean and, to a certain extent, Latin American.

Indexing (details)


Subject
Latin American literature;
Folklore;
Music
Classification
0312: Latin American literature
0358: Folklore
0413: Music
Identifier / keyword
Communication and the arts; Social sciences; Language, literature and linguistics; Chile; Cuba; Gabriela Mistral; Nicanor Parra; Nicolas Guillen; Nueva Cancion Chilena; Pablo Neruda; Poetry; Popular culture; Song
Title
Poesía, canción y cultura popular en LatinoAmérica: La Nueva Canción Chilena
Alternate title
Poetry, Song and Popular Culture in Latin America: The New Chilean Song
Author
Vilches, Freddy O.
Number of pages
363
Publication year
2006
Degree date
2006
School code
0171
Source
DAI-A 67/07, Dissertation Abstracts International
ISBN
978-0-542-76708-1
Advisor
Epple, Juan Armando
University/institution
University of Oregon
University location
United States -- Oregon
Degree
Ph.D.
Source type
Dissertation or Thesis
Language
Spanish
Document type
Dissertation/Thesis
Dissertation/thesis number
3224128
ProQuest document ID
305308722
Copyright
Database copyright ProQuest LLC; ProQuest does not claim copyright in the individual underlying works.
Document URL
https://www.proquest.com/docview/305308722/abstract