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The Inferno highlights many categories of sins and varieties of pains yet it has another unifying theme. From the earliest descriptions of Christian monastic discipline to the Benedictine Rule and beyond, “inner death” inspired contemplatives to confront the hell that awaits them if they succumb to pride, give way to sloth (acedia), or lack humility. Scholastic theologians (e.g., Thomas Aquinas, Bonaventure) developed the notion, and mendicant preachers brought it to laypeople like Dante Alighieri. Inner death has ironic force in the Inferno because it contradicts the inscription on the gates of hell: “Abandon all hope you who enter”. Yes, one must abandon all hope upon entering hell unless, through the cultivation of inner death, one does so “nel mezzo del cammin di nostra vita” (midway in the journey of our life—Singleton), while alive. Here is the irony; here is inner death. If living persons contemplate the consequences in hell of their faults in life, they transcend them and escape.