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In the gothic genre, there is often a theme of immobility that casts a stagnant malaise over the conventionally domestic settings of gothic texts. Isabel Cañas’s novel Vampires of El Norte develops and extends the Gothic genre from a Latinx perspective, engaging themes of American colonialism, the Mexican-American War, and female mobility in 19th-century Mexico. Silvia Moreno-Garcia’s novel Mexican Gothic disrupts conventional generic themes to create a radical space of revisionism as she explores eugenics, Mexico’s Anglo imperialist history, and female mobility in 1950’s Mexico. My essay explores how both authors subvert traditional gendered gothic tropes to extend and contemporize the gothic genre. I use postcolonial feminist theory to demonstrate how Noemí, the main character in Mexican Gothic, resists colonialist control of her body through her mobility outside of the domestic sphere, as she enters the public sphere and engages with locals. I also look at how Nena, in Vampires of El Norte, asserts agency over her body when she leaves home to join the war effort, and thus evades or temporarily thwarts her parents’ plans to immobilize her body by locating her within the domestic space as a housewife.