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“Content and Form: The Multimedia Black Press and New Articulations of Blackness in Twenty-First Century Buenos Aires and São Paulo” analyzes how contemporary journalists, artists, and writers who identify as Black in Buenos Aires, Argentina, and São Paulo, Brazil, use the press in a variety of forms to shape and express national and diasporic Black identities. “Content and Form” examines the co-constitutive relationship between the press (forms) and ideas of Blackness and citizenship (content). To do so, it follows two Afrodescendant organizations whose editorial projects stand out for their combination of digital and print media, together with innovative uses of physical space, at a time when most Black publications have gone fully digital. In Buenos Aires, I analyze El Afroargentino, a print newspaper published by the Afrodescendant organization DIAFAR (African Diaspora of Argentina). Positioned as the successor to the historical Afro-Argentine press, which waned by the early twentieth century, El Afroargentino constructs a coalitional Afro-Argentine identity, simultaneously framing it as “popular” (class-based), national, and Black. This project of “racial re-marking,” amplified by DIAFAR’s broader digital and cultural production, challenges Argentina’s long-standing narratives of racial exceptionalism and whiteness, demanding recognition for a historically erased Black majority. In São Paulo, the focus shifts to O Menelick 2Ato, a high-quality print arts magazine with a digital counterpart presented as a re-birth of the historical Afro-Paulista newspaper O Menelick (1915-1916). This transition from traditional journalism to cultural curatorship and aesthetic sensibility enables O Menelick 2Ato to resignify the tradition of the Brazilian Black press—historically Latin America’s largest— asserting not just Black visibility in the arts and society more broadly but claiming Black intellectual authority over the very terms of this visibility. “Content and Form” concludes by comparatively analyzing DIAFAR and O Menelick 2Ato as they engage with mainstream online platforms targeted primarily at non-Black audiences. DIAFAR uses digital media’s broad appeal to educate broader Argentine society on race and racism, challenging monochrome social imaginaries. Conversely, O Menelick 2Ato leverages institutional resources to reinforce its curatorial authority and demonstrate the creative and intellectual capacity of its collaborators. By bridging Afro-Latin American, Literary, and Media Studies, this dissertation highlights how these new Black presses transform racial dynamics and cultural narratives across a wide use of print and digital forms, redefining national and global articulations of Blackness in ways that reflect local dynamics.