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Contents
- Abstract
- Study 1
- Method
- Participants
- Procedure
- Results and Discussion
- Study 2
- Method
- Participants
- Procedure
- Results and Discussion
- Study 3
- Method
- Participants
- Procedure
- Results and Discussion
- Study 4
- Method
- Participants
- Procedure
- Results and Discussion
- Study 5
- Method
- Participants
- Procedure
- Results
- Discussion
- General Discussion
- Caveats
- Implications
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Abstract
Without the benefit of paralinguistic cues such as gesture, emphasis, and intonation, it can be difficult to convey emotion and tone over electronic mail (e-mail). Five experiments suggest that this limitation is often underappreciated, such that people tend to believe that they can communicate over e-mail more effectively than they actually can. Studies 4 and 5 further suggest that this overconfidence is born of egocentrism, the inherent difficulty of detaching oneself from one's own perspective when evaluating the perspective of someone else. Because e-mail communicators “hear” a statement differently depending on whether they intend to be, say, sarcastic or funny, it can be difficult to appreciate that their electronic audience may not.
Social judgment is inherently egocentric. When people try to imagine the perspective, thoughts, or feelings of someone else, a growing body of evidence suggests that they use themselves as an anchor or reference point. Although precisely why this occurs—whether the result of an overlearned and generally valid heuristic, the residual byproduct of an earlier stage of childhood egocentrism, or the inevitable consequence of an effortful cognitive process such as anchoring and adjustment—is a matter of some debate, the fact remains that the assessment of another's perspectives is influenced, at least in part, by one's own (Camerer, Loewenstein, & Weber, 1989; Epley, Keysar, Van Boven, & Gilovich, 2004; Fischhoff, 1975; Flavell, 1977; Fussell & Krauss, 1991; Gilovich, Medvec, & Savitsky, 2000; Gilovich, Savitsky, & Medvec, 1998; Hoch, 1987; Inhelder & Piaget, 1958; Kelley & Jacoby, 1996; Keysar, Barr, & Horton, 1998; Keysar & Bly, 1995; Nickerson, 1999, 2001; Ross & Ward, 1996).
Nowhere is this tendency more apparent than in the music tapping study conducted by Elizabeth Newton (1990). Participants in her study were asked to tap the rhythm of a well-known song to a listener and...





