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© 2022 by the authors. Licensee MDPI, Basel, Switzerland. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license (https://creativecommons.org/licenses/by/4.0/). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License.

Abstract

Car horns were originally installed in vehicles for safety. However, many urban areas in several countries face noise problems related to the use of car and motorbike horns. To propose measures to suppress the use of horns, relationships between horn use and factors including driver awareness and behavior, traffic environment, and the transportation system should be investigated. The present study therefore conducted surveys to grasp the current circumstances of horn use and traffic at urban intersections in Taiwan. The relationship between horn use and the traffic volume of standard-sized vehicles was found. According to an analysis of horn use during traffic signal cycles, in many cases, horns were honked after entering intersections to turn left. In particular, horns were honked when the driver waited more than 4 s for the car in front to start moving after the green light allowing left turns was turned on. An analysis of noise levels at intersections showed that the maximum noise level value (LAmax) could be reduced if vehicle horns were not used. Multiple regression analysis also indicated that LAmax values increased with the frequency of horn use. The equivalent continuous A-weighted sound pressure level (LAeq,10min) did not change with driver horn use, and increased with the traffic volume of motorcycles.

Details

Title
Analysis of the Effects and Causes of Driver Horn Use on the Acoustic Environment at Urban Intersections in Taiwan
Author
Takada, Masayuki 1 ; Tsunekawa, Shoki 2 ; Hashimoto, Kazuma 2 ; Inada, Tamaki 1 ; Ki-Hong, Kim 3 ; Oeda, Yoshinao 4 ; Yamauchi, Katsuya 1   VIAFID ORCID Logo  ; Shin-ichiro Iwamiya 5 

 Faculty of Design, Kyushu University, 4-9-1 Shiobaru, Minami-ku, Fukuoka 815-8540, Japan; [email protected] (T.I.); [email protected] (K.Y.) 
 Former Graduate School of Design, Kyushu University, 4-9-1 Shiobaru, Minami-ku, Fukuoka 815-8540, Japan; [email protected] (S.T.); [email protected] (K.H.) 
 Faculty of Media and Information Resources, Surugadai University, 698 Azu, Hanno 357-8555, Japan; [email protected] 
 Faculty of Engineering, Kyushu University, 744 Motooka, Nishi-ku, Fukuoka 819-0395, Japan; [email protected] 
 College of Art, Nihon University, 2-42-1 Asahigaoka, Nerima-ku, Tokyo 176-8525, Japan; [email protected] 
First page
5917
Publication year
2022
Publication date
2022
Publisher
MDPI AG
e-ISSN
20763417
Source type
Scholarly Journal
Language of publication
English
ProQuest document ID
2679673555
Copyright
© 2022 by the authors. Licensee MDPI, Basel, Switzerland. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license (https://creativecommons.org/licenses/by/4.0/). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License.