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Abstract
On the basis of Lacan's proposals
in his Transference seminar, the
article examines a particular type
of mourning, the mourning of the
analyst, which reveals the incapacity
of any object of love to fulfill
desire. It also examines why, as a
logical consequence of mentioned
mourning, Lacan suggests that the
identification with the symptom
constitutes the end of the analysis.
Thus, through Freudian references,
it is possible to say that some kind of
identification takes place in all type
of mourning, not only in its process,
but also in its end.
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