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Abstract
The masculine and feminine elements in Aleksandr Sokurov’s film Alexandra
The aim of this article is to present the fundamentals of the Great Mother archetype in Aleksandr Sokurov’s film Alexandra using the anthropologicalmorphological method of analysis. The effect of meeting between the protagonists, Alexandra and Denis, and their interweaving, is a new person a perfect being where the masculine and feminine is brought to a perfect harmony.
Pierwiastki męskie i kobiece w filmie Aleksandra w reżyserii Aleksandra Sokurowa
Artykuł jest poświęcony przedstawieniu rudymentów archetypu Wielkiej Matki w filmie Aleksandra w reżyserii Aleksandra Sokurowa za pomocą metody analizy antropologicznomorfologicznej dzieła filmowego. Efektem spotkania bohaterów i ich „czynności tkackich” jest nowa osoba istota idealna, w której równowaga pierwiastków męskich i kobiecych osiągnęła stan pełnej harmonii.
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