Simulism on Film

Abstract

The simulation hypothesis is the theory that the world we live in is, or is most likely, a computer simulation—and that we ourselves could be simulated as well. “Simulists” are people who believe this theory to be true. The simulation hypothesis has gained much popularity in recent years, even among some highly influential figures such as Elon Musk. The potential reality of this theory has been the subject of numerous films and television series, most notably The Matrix (1999). Similarly to The Matrix, other simulation-themed films also portray the simulated universe as a reality and a problem to be solved. However, no notable films have yet explored the belief in simulism. Could this be a missed opportunity for screenwriters? This paper will explore the topic of simulism as a potentially relevant, vastly interesting, and thus far untapped subject for screenwriters. Simulism’s surge in popularity makes it extremely relevant. This topic touches on comparable philosophies, theories, and theologies which came long before simulism—and raises meaningful religious and moral questions. Existing simulation films have been done one specific way so far, but the focus on simulism could introduce a new approach. This theory is now treated by scientists and tech gurus alike as a legitimate topic of debate rather than just a sci-fi concept. The goal here is to explore how a focus on the belief in simulism might be a uniquely relevant way to approach important philosophical, moral, and even spiritual themes that affect modern culture. The results of this research confirm that such a belief is worth exploring on film and could even be a whole new sub-genre of cinema to help balance out the over-done simulation themes we have seen so far.