It appears you don't have support to open PDFs in this web browser. To view this file, Open with your PDF reader
Abstract
Considering the intangible dimension of design is much more relevant than it may seem. Bearing in mind the limited room for manoeuvre the designer has when he receives a commission, since he is usually strongly constrained by the limitations of use and function, the consideration of the immaterial dimension of the project is perhaps the only way he can direct it and think of it as a whole. Thinking of the intangible as a project implies making the invisible visible, knowing how to generate a very subtle narration of the place that captures and attracts our gaze without clamour; a gaze that will not be homogeneous, because the perception of public space is always subject to nuances.
You have requested "on-the-fly" machine translation of selected content from our databases. This functionality is provided solely for your convenience and is in no way intended to replace human translation. Show full disclaimer
Neither ProQuest nor its licensors make any representations or warranties with respect to the translations. The translations are automatically generated "AS IS" and "AS AVAILABLE" and are not retained in our systems. PROQUEST AND ITS LICENSORS SPECIFICALLY DISCLAIM ANY AND ALL EXPRESS OR IMPLIED WARRANTIES, INCLUDING WITHOUT LIMITATION, ANY WARRANTIES FOR AVAILABILITY, ACCURACY, TIMELINESS, COMPLETENESS, NON-INFRINGMENT, MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE. Your use of the translations is subject to all use restrictions contained in your Electronic Products License Agreement and by using the translation functionality you agree to forgo any and all claims against ProQuest or its licensors for your use of the translation functionality and any output derived there from. Hide full disclaimer




