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In an era of multitasking and short attention spans, Antonio Barrenechea's critical analysis of the encyclopedic novel in the Americas is an outstanding model of the benefits of deeply studying long books. In America Unbound, Barrenechea examines four works of fiction that he calls "summa Americana," or great American novels of continental proportions (xi): Herman Melville's Moby-Dick (1851), Mexican Carlos Fuentes's Terra Nostra (1975), French Canadian Jacques Poulin's Volkswagen Blues (1984), and Native American Leslie Maron Silko's Almanac of the Dead (1991). Several thematic and formal threads tie these works together: each novel explores the era before the American continent was separated by the imperial languages of Spanish, English, French, and Portuguese and divided into nations; each novel also features contemporary protagonists who critique the results of those divisions. Moreover, the works all have a "masterful performance inscribed within them" that self-consciously takes the entire American continent as its muse (10). The aim of Barrenechea's elegant and jargon-free book is to demonstrate how reading encyclopedic novels from different traditions reveals their shared American roots.
Barrenechea takes as his theoretical point of departure the work of Herbert Eugene Bolton, an American historian whose 1932 "The Epic of Greater America" advocated for a continental rather than a national approach to American history. Bolton was undoubtedly a pioneer who wrote against the dominant paradigm of approaching US history without considering its inter-American aspects. Yet Bolton's ideas also had some fatal flaws: the Mexican historian Edmundo O'Gorman criticized him for practicing intellectual hegemony, and Barrenechea points out that Bolton was deeply Eurocentric and rarely considered the Amerindian or African experiences in the Americas. Barrenechea proposes to update Bolton's approach and enters into dialogue with more recent scholars who have spearheaded comparative American...