Abstract

Mati Diop's 2019 feature film Atlantics won the Grand Prix at Cannes that year. It is a polyphonic tale of migration, love, loss, and fantasy that takes place in Dakar, Senegal. Using fantasy and mystery to create opacity, as defined by the writer and theorist of postcolonialism Édouard Glissant, Diop seeks to give dignity to the victims of migration and to invite viewers to establish a relationship with the film. The combination of diverse poetic lines gives the film striking richness and resonance, as well as the ability to comment on sociopolitical issues without being limited to one interpretation. Despite the immobility of the problems she brings to the screen, Diop transmits hope for other mobilities, which she herself brings to life and embodies.

Details

Title
Atlantics
Author
Montenegro, Tina
Pages
131-135
Section
Other
Publication year
2021
Publication date
Dec 2021
Publisher
Berghahn Books, Inc.
ISSN
20454813
e-ISSN
20454821
Source type
Scholarly Journal
Language of publication
English
ProQuest document ID
2811603170
Copyright
© 2021. This work is published under https://creativecommons.org/licenses/by-nc-nd/4.0/ (the “License”). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License.