Content area
Full text
Inside This Issue
Authorised Beckett biographer James Knowlson shares previously unpublished insights into Beckett's most famous play; Michael Coffey reviews two distinctive Beckett productions in New York City; Gabriel Quigley sits down with the artistic director of Company SJ, Sarah Jane Scaife; Rhys Tranter asks Beckett scholar Paul Stewart about his decision to appear in a production of Krapp's Last Tape; Luz María Sánchez Cardona tells us what we can expect from the 4th Annual Samuel Beckett Society Conference in Mexico; Feargal Whelan reviews a production of How It Is from the Gare...