Culture and Sacrifice: Ritual Death in Literature and Opera

Culture and Sacrifice: Ritual Death in Literature and Opera by Derek Hughes. Cambridge U. Press, 2007. Pp. xi + 313. $85.

Despite its fairly standard size for a monograph, Derek Hughes's book is a expedition of veritably epic proportions through the entire history of Western literature in the course of which he brings up core samples from a wide range of literary genres. No shortage of ambition marks this project. Noting "the inexhaustible fascination of the theme of human sacrifice," which clearly also took hold of him during the research and writing of the book, Hughes explores the representation of ritual sacrifice in literature and opera, not real-lUe instances of killing (hence, no discussion of execution) and only limited, contextualizing discussion of the anthropological record (273). An initially restricted definition of sacrifice avoids confusion with the more remote metaphorical uses of the term (one thinks of the great sacrifices one makes to send the kids to college). Hughes also sets aside Jesus Christ from his treatment of sacrifice, in part because the crucifixion merits distinct treatment, in part because the crucifixion is framed in quite distinct ways from sacrifice in literature, at least until the eighteenth century. Hughes notes that the crucifixion annuls sacrifice in three ways: first, because it is the single sacrifice that brings all carnal sacrifice to an end; second, because Christ lives; and third, because the crucifixion is transformed, initiating other forms of sacrifice among the faithful, such as discipline (50-51). In addition to accomplished human sacrifices, Hughes often examines instances that flirt with ritual death without actually accomplishing it: Prometheus, for example, is only "potentially" a sacrificial victim (16); many deaths in the Aeneid "aspire to the condition of formal sacrifice" (46); Othello and Brutus (in Julius Caesar) "attach a sacrificial significance to the murders they commit" (74-75); and many literary treatments tread close to sacrifice but avert it in the end, most notably in the Iphigenia plays and operas (46). As Hughes notes, stories of human sacrifice serve to explain key features of culture, such as the origin of rites of initiation, or to mark a separation with an ideal past in which men and gods broke bread together, or as an example of the barbarity that civilization must...