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JANE D. CHAPLIN. Livy's Exemplary History. Oxford: Oxford University Press, 2000. xii + 245 pp. Cloth, $70.
Hoc illud est praecipue in cognitione rerum salubre ac frugiferum, omnis te exempli documenta in inlustri posita monumento intueri; inde tibi tuaeque rei publicae quod imitere capias, inde foedum inceptu foedum exitu quod vites.
-Livy, Preface 10
Livy's programmatic assertion has served as the point of departure for a number of recent studies. Indeed, the book one writes seems to depend on which word or words provide inspiration: intueri (Feldherr) and monumentum (Jaeger) have had their day; now it is the turn of exempli documenta. In this beautifully argued study, Chaplin argues that close readings of scenes involving exemplary figures produce a misleadingly static view of Livy's history as a repository of fixed lessons; by studying exempla, not just at their moment of generation but as they are invoked, altered, and allowed to die away over the course of the narrative, one can see Livy showing historical processes at work and thus gain appreciation of Livy as an historian as well as a literary artist.
Chaplin defines exemplum broadly, including not only what the text points to as exempla or documenta but also "any specific citation of an event or an individual that is intended to serve as a guide to conduct" (3). Exempla occur at various levels of the narrative: in the historian's own voice; focalized through characters who remember the past and use it as a guide to conduct; and most frequently, in speeches. Throughout the book Chaplin is careful to distinguish between the external, reading audience and the various audiences of speeches and spectacles within the text. She points out that the reading audience has information that audiences within the text do not and thus can draw conclusions that they cannot. In showing characters within the text interpreting, reinterpreting, and learning from the past, Livy's history teaches its reading audience how to engage constructively with history, both past events and the narrative of past events.
The introduction briefly reviews the use of exempla in rhetoric, the didactic features of Greek and Roman historiography, the Roman tendency to teach by example (fathers pointing out models to sons, the trappings of aristocratic funerals, statues in public places),...