Content area
Full Text
Straipsnyje pletojama ir grindziama hipoteze, kad medziokle baroko kulturoje, viena vertus, ima siaureti iki didiku pramogos, kita vertus, medziokles poetika issiplecia iki egzistencinio lygmens ir ja nusakoma zmogaus butis. Taigi medziokles diskursas skyla i daugeli skirtingu israisku, nebetenka iprastiniu, tradiciniu etiniu bei ekologiniu principu. Tyrime pasitelkiami trys konkretus baroko menininku kuriniai, kurie interpretuojami remiantis fenomenologines medziokles percepcija, kuria ispletojo ispanu filosofas J. Ortega y Gassetas (José Ortega y Gasset), kartu pabreziant, kad fenomenologines apibreztys baroko medziokles neissemia, reikalingas postmodernus dekonstrukcinis zvilgsnis.
Raktazodziai: barokas, medziokle, J. Ortega y Gassetas, rumu dvaro visuomene, diskursas, reprezentacija
VAIVA KLAJUMAITE
The discourse of hunting in Baroque culture: phenomenological approach and its deconstruction
Summary
The main hypothesis of this paper states a dual perception of the hunting phenomena in Baroque culture. On the one hand, this action was a specific activity of the noble people during their leisure time. On the other hand, poetics of hunting spread into the existential level and became the main allegory in order to express the way of being. This research is based on three artistic manisfestations (the poem "Silviludia" by the Lihuanian poet M. K. Sarbievijus, the Dutch baroque painting by Rembrandt and the sculptural composition of the Zapyskis Church in Lithuania). The main theoretical basis is the phenomenological approach, especially the "Meditations of Hunting" written by José Ortega y Gasset. Nevertheless, these tools are revealed as not sufficient to the Baroque material. Postmodern deconstructive approaches are needed. The hunting discourse in the Baroque culture does not obey to the Great narrative and splits into multiple variations of representation: as the allegory of the society of court, as the way of ironical thinking and desacralisation.
Key words: Baroque, Ortega y Gasset, hunting, court society, discourse, representation
IVADAS
Medziokles fenomenas siuolaikiniam zmogui dazniausiai asocijuojasi su tiketina mazai kam patirtu ar stebetu siauru veiklos pobudziu. Taciau paklausus apie medziokles svarba ir emus apie ja svarstyti filosofineje plotmeje, tema pasirodo esanti labai plati. Prie jos "prikimba" fundamentalus gamtos-kulturos, zmogaus-gyvuno priespriesos, etikos, ekologijos, zaidimo ir reprezentacijos klausimai. Straipsnyje siekiama neprimesti isankstiniu nuostatu medziokles reiksmei apibrezti ir atskleisti ja per konkrecias medziokles apraiskas baroko kulturoje. Interpretacijoje daugiausia remiamasi fenomenologine medziokles percepcija, kuria ispletojo ispanu filosofas J. Ortega y Gassetas (2007). Kita vertus, uzimsime kritine pozicija: keliame hipoteze, kad baroko...