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When Howard Tinberg issued his call for the 2013 CCCC, "The Public Work of Composition," Jeff Sommers, TETYC editor, asked if I'd like to join him on a panel to examine critically different sections of TETYC. He would look at "Instructional Notes," Peter Wayne Moe would look at "What Works for Me" (see the May 2013 TETYC for Peter's article), and I'd look at the review section. As review editor since 2010, I knew that I'd been pushing authors of reviews toward a more robust stance on the works they were reviewing, yet I hadn't articulated, even to myself, what I was looking...