Content area
Full Text
Contents
- Abstract
- Introduction and Background
- Methodology
- Participants
- The process of data gathering
- Assessment Protocol
- Results
- (i) Independent measures of singing behavior and development by age, sex and phase of assessment
- (ii) Additional evidence of impact
- (iii) Evidence of impact on sung vocal pitch ranges
- (iv) ethnicity
- Discussion
- Postscript
Figures and Tables
Abstract
The article reports on the first year of an independent evaluation of the National Singing Programme ‘Sing Up’ (2007-2011) in England. The aim of the Sing Up Programme is to provide all primary-aged children (up to the age of 11 years) with opportunities for singing under high quality vocal leadership both within their school curriculum and outside of school on a regular basis. As part of the evaluation, members of the research team visited 81 schools across England, and assessed the singing behavior and development of 3,762 individual children using the combination of two established rating scales. The focus was on providing an initial profile of children’s singing prior to the launch of the National Programme and, subsequently later in the first year, to conduct a small number of additional visits to see if there was any evidence of early impact. The results confirm that children’s singing is subject to developmental processes, with variations related to sex, age and ethnicity. There is also some evidence that, notwithstanding such variations, a programme of sustained singing education can have a positive benefit on children’s singing behaviors and development.
Introduction and Background
Research suggests that singing behaviors are subject to developmental processes in which individual neuropsychobiological potentiality is shaped (nurtured and/or hindered) by learning experiences within sociocultural contexts (Knight, 2010; Welch, 2007, 2011). Although singing is commonplace, it is also marked by cultural diversity, with development related to opportunity (e.g., Mang, 2007), the prosodic features of indigenous languages (Azechi, 2008), as well as the dominant characteristics of the local musical soundscapes (Welch, 2006a, 2006b, 2011; Welch, Sergeant, & White, 1997).
In many parts of the world, the ability to sing is a mark of an individual’s underlying musicality (cf. Sloboda, Wise, & Peretz, 2005). Consequently,...