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Abstract
La Cage, on the other hand, was the first Broadway musical not only to feature but to dignify the relationship between two gay men. [...] it did so during a time when America was entering a period of neocqnservatism that was determined to reverse what it considered to be a decline in traditional family values brought on by the political and cultural liberalism of the previous decades that had fostered, among other untraditional values, a tolerance of homosexuality.