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Neophilologus (2014) 98:617635
DOI 10.1007/s11061-014-9385-5
Dongsup Jung
Published online: 13 April 2014 Springer Science+Business Media Dordrecht 2014
Abstract The Spanish lm director Pedro Almodvar tends to use a set of signicant details in order to create a network of senses in his lms. This feature is also present in the lm La piel que habito throughout some artistic works which are closely related to the theme and the plot. This paper analyses the role that some works of some famous artists, such as Tiziano Vecellio, Louise Bourgeois, Gillermo Prez Villalta and Juan Gatti, play in this lm. This information helps to recognize how Almodvar modies both the classical and modern works of art in order to give them new meaning by means of the transformations. Tizianos paintings reveal doctor Roberts desire, whereas Louise Bourgeoiss works show Veras desire and her real life as a prisoner. Prez Villaltas works expose the relationship between Robert and Vera. Juan Gattis paintings present the dichotomy of the skin and the ego, the main message of the lm. Thus, all the artistic works that appear in La piel que habito refer to the relationship between the two protagonists or their mental world.
Keywords Pedro Almodvar La piel que habito Tiziano Vecellio
Louise Bourgeois Guillermo Prez Villalta Juan Gatti
En este trabajo se analizan las obras artsticas de Tiziano Vecellio, Louise Bourgeois, Guillermo Prez Villalta y Juan Gatti en la pelcula de Almodvar a n de observar cmo el director modica las obras clsicas y modernas en sus pelculas para crear un nuevo sentido mediante las transformaciones.1 Ya es famoso el uso de
1 This work was supported by the National Research Foundation of Korea Grant funded by the Korean Government (NRF-2012S1A2A1A01028904).
D. Jung (&)
Chonbuk National University, 567 Baekje-daero, Deokjin-gu, Jeonju-si, Jeollabuk-do 561-756, Republic of Koreae-mail: [email protected]
Yuxtaposicin artstica en La piel que habito de Pedro Almodvar: en torno a las obras de Tiziano, Louise Bourgeois, Guillermo Prez Villalta y Juan Gatti
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618 D. Jung
los gneros artsticos en las pelculas de Pedro Almodvar, con lo que se ha acuado un nuevo trmino Almodrama. Esto supone la abundancia de la intertextualidad en sus obras por la manera habilidosa como este autor aglutina en su discurso motivos procedentes de la...