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Few photographs over the past year have ignited as much debate as Luc Delahaye', "Taliban, 2001."The large-format panorama of the dead Talib soldier first raised eyebrows last fall when it was exhibited at the New York Armory Show with a $15,000 price tag. By itself, the image stuck out from the other art pieces and raise, more questions than answers: Is it art, photojournalism, or both? Is it right to profit from the dead? Is the shot an authentic...
