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In my review of the Sony HVR-V1U camcorder last September (see digitalcontentproducer.com/hdhdv/depth/sony_hvrv1u_09192006), I discussed in detail the technical features of Sony's breakthrough 3-CMOS 24p HDV camcorder. But what a person behind the viewfinder wants to know is, how does it handle? Is it simple to operate? What kind of pictures does it make?
I've used the V1 in real shoots by now, and while I'm still exploring its potential - like rival HDV and AVC HD cameras, the V1 is a complex imaging system with myriad setups and results - the broad outlines of its handling and performance have become clear to me.
In much the same way that software improves with each release or update, camcorder designs evolve. If Sony's classic DCR-VX1000 was version 1.0, then the DSR-PD150 was 2.0 and the HVR-Z1U 3.0. This makes the V1 fourth generation. Consequently, the V1 embodies significant refinements in shape, balance, layout, controls, and materials.
From the VX1000, the V1 retains a "Handycam" profile and size. From the PD150, a tape drive built into the handgrip, a shock-mounted mic holder, an XLR "pod" with audio controls at the lens end of the handle, dual focus and zoom rings, and a battery hanging off the end. And from the Z1, a generous viewfinder (large exit optic) raised to eye level at end of handle, a curved handgrip moved forward toward lens for better balance, an f/stop dial, and a lens shade with built-in barn doors instead of lens cap.
In the V1, everything is better. The XLR pod is smaller and better integrated into the handle. Despite a tighter build, the XLR pod features a row of chrome, two-position mini toggle switches for channel selection, auto/manual, and phantom power on/off instead of the PD150/170's confusing mix of two- and three-position black-on-black sliding switches. Plus, there are dual easy-to-glance-at volume dials. Well done, Sony.
The knurled iris dial no longer sticks out like a sore thumb. It's integrated into the side of the lens barrel, occupying the same third position after the focus and zoom rings - where an f/stop ring on a professional cine or video zoom would normally be. Immediately above and below the iris dial, respectively, are the auto/manual exposure button and the autofocus...