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Abstract
[Thomas Riedelsheimer]'s well-received 2001 study of artist Andy Goldsworthy, a respectful distance is maintained between the camera and the performer, as [Evelyn Glennie] goes about making experimental percussion music with ensembles and students in Japan, Germany, Scotland and New York. The unobtrusive camerawork is fluid and appealing, not to mention perfectly edited to the minimalist, arrhythmic soundtrack.